![]() ![]() A person only has to look at who is blocking whom from inclusion to get a clear alignment of the dominant hierarchies, whether political or male-controlled as well as heterosexist. Obejas who is the author of the narrative juxtaposes images of national and ancestral exile that force a recognition of queer oppression as part of the appropriation of a family model in nation-building. ![]() The main character in this story is a political radicle woman who denied to hide either her political or sexual relationships within the dominion of the family, despite heavy cultural proscriptions against this. For many years, most sexual and social abnormality has been marginalized so that the dominant family story either completely lacked or strove to punish or hide queer elements.This narrative is anti-imperialistic and subversive acts that take place the silencing of the peculiar family. This is a short story, which shows how women are marginalized in the society. It also touches on the expression of violence designed to maintain the status quo and the conservative, heterosexual, male-controlled narratives. The essay discusses how Obejas juxtaposes images of national and ancestral exile to shed light on the oppression faced by queer individuals as part of the appropriation of a family model in nation-building. ![]() The main character in the story is a radical woman who refuses to hide her political and sexual relationships within the confines of the family, challenging cultural norms and proscriptions. The essay highlights how the short story portrays the marginalization of women in society, emphasizing the political and sexual aspects of their lives. It delves into the theme of growing up, particularly focusing on the experiences of girls who often feel voiceless, forgotten, and dehumanized in society. The essay explores the challenges faced by the narrator in Achy Obejas's short story "We came all the way from Cuba so you could dress like this" and the actions she takes to confront these challenges. ![]()
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